On a warm, muggy night in
July, the fine citizens in the greater Wilmington area
were treated to a show by one of the hottest artists in
music right now. It was the 20th of July when John Mayer
brought his bluesy, acoustic/electric jams to the Delaware
waterfront. Mayer has it all right now. His
Room for
Squares is selling (currently the number 23 on the
Billboard 200 at press time); his single "No Such
Thing" is all over the radio as well as the charts
(18 on Billboard Hot 100 and still rising), and he is
loved by the ladies for being so darn cute. Mayer has
been labeled a Dave Matthews clone, but on this night,
he proved that wrong. Having heard a handful of bootlegs,
I thought I knew what to expect from the show, but I could
not have been more wrong.
I was shocked to walk into a concert and
see that most people were already there to see the time
opening act, Res (but then again, its easy when mom
is dropping you off). This smooth sounding R&B singer
brought back shades of Desiree, but with way more talent.
It seemed as if her and her band had been together for
a while, as they sounded really tight. She got a decent
response from the crowd but it was tough since this
was not really her crowd. She was doing her best to
win them over. The AC/DC classic "Back in Black"
was an interesting choice for a closer
.very different
sound but still good.
After a short delay, the lights went dark
and a high-pitched shrill hit the air. It was time for
John Mayer to hit the stage. Opening with "83",
Mayer showed off instantly with his guitar work as well
as his keyboard work. A growing (and annoying) trend
was starting as John's vocals were easily over powered
by what appeared to be the combined vocals of every
girl there. Mayer didn't hesitate though as he railed
off big songs to start his set. You couldn't ask for
a better start to the show than "83," "No
Such Thing," "Why Georgia," and "Back
To You."
Like a good performer, Mayer didn't want
to finish the crowd off to soon and quieted the mood
with "City Love" and "Something's Missing",
a new song. John then kicked the band off of the stage.
What happened next, shocked the hell out of me. Not
that John was covering "Message in a Bottle,"
but the following is an actual conversation I had
.
Hamilton: What a great version of "Message in
a Bottle?"
Some Girl: I love that song. It's my favorite song of
his.
Hamilton: Who Sting's? The Police?
Some Girl: No, John Mayer's
duuhhhh.
Now there is never a reason for a guy to
hit a giirl, luckily I didn't have to as my girlfriend
was there to kick this girl's ass after the show; but
the musical ignorance of this girl was amazing. John
finished his mini solo set with "Sucker" before
bring back Dela (Bass Player David LaBruyere) for an
amazing, set-stealing version of "Love Song for
No One." Mayer finished strong with "My Stupid
Mouth," "Why Did You Mess With Forever,"
"Your Body is a Wonderland," "Great Indoors,"
& "3x5." A new song, "Covered in
Rain" opened the encore on a slower note followed
by the show closer, "Neon," which isn't my
favorite song but sounded very good live.
The show wasn't all great though; there
were some problems with it. This was just a bad venue
for John Mayer, but then again, I am probably spoiled
from seeing him at the TLA in Philadelphia back in February.
The further away from the stage you were, the sound
was terrible as you could not hear John's vocals, especially
over all the screaming girls. Now I don't care about
people singing along at concerts, it can make a show
really cool (see Dashboard Confessional, you'll see
what I mean), but it really hurt the Mayer show. Upon
entering Kahunaville, everyone was giving a colored
wristband: yellow for over 21, green for 18 - 21, and
the very special and very R. Kelly blue wrist band for
those under 18. There was a little too much of the green
for my liking but I am just being a prick based on my
dealings with the unintelligent non-Sting fan.
Overall it was a good show though. The
only thing that Mayer has in common with Dave Matthews
is the crowd they both share. Mayer's obvious Stevie
Ray Vaughn influenced guitar work really impressed me.
This guy plays a wicked blues guitar. I was not expecting
the bluesy feel that his songs took on live. I am really
looking forward to the follow up to Room for Squares,
as you can hear the changes Mayer is going through both
as a guitar player and songwriter. Kenny Wayne Sheppard
and Johnny Lang were supposed to be the 'Next big Thing'
in blues music, but both have been passed by John Mayer,
as his songs have that same pop/rock sense that the
late-great Stevie Ray Vaughn had..
Scott Hamilton
EMPYRE Lounge